[Meaning someone/something] unexercised or unexamined, unscrutinized. The word comes from the test of the goldsmith's stone, on which they scrutinize gold.[1] Aelian in his On Providence used the word 'untested' to mean 'without pain'.[2]

[Meaning] gentle, dainty.[1] Aelian [writes]: "them placing [half-beams] upon very delicate couches and mattresses adorned with some magnificent weaving."[2]

This man became tyrant [of Syracuse] and, as Timaeus says, in his early youth was a common prostitute, ready [to give himself] to the most debauched, a jackdaw, a buzzard,[1] presenting his backside to all who wanted it. When he died, says [Timaeus], his wife cried out to him in lamentation, "What [did] I not [carnally do to] you? And what [did] you not [reciprocate to] me?"[2] That nature had endowed Agathokles with great advantages is clear. For escaping the wheel, the smoke[of the kiln and] the clay,[3] he came to Syracuse, at about the age of eighteen, and in a short time, starting from such beginnings, he became master of the whole of Sicily, exposed the Carthaginians to extreme dangers, and finally, having grown old in the role of dynast, ended his life with the title of king.[4]

Anything in which someone takes delight.[1]
"And he [A] gives silver, so that he [B] might complete the statue with the utmost artisanry, adding the size and prescribing the nature of the stone."[2]

[Meaning] the likenesses of the gods, and anything that is decorative in some way. Homer [writes]: "but it is stored away as a delight for the king."[1] And Hesiod calls a necklace an "ornament";[2] but Pindar uses this term for the decoration on a tomb,[3] and Euripides uses it for the adornments for corpses.[4]
Also something in which someone takes delight.[5]
Also [sc. a term for] image, wooden statue, delight, beauty, ornament, source of pride, palm leaves,[6] [human] statues, [honorific?] inscriptions.
Paintings and [human] statues are also called agalmata.[7]
agalmation [is] the diminutive form.

That is, craftsmen; these [are] in the strict sense Lysippus, Polycleitus, Pheidias.[1]

The son of Pausanias.[1] This man, during an invasion of Mantinean territory once, besieged them and, having turned the flow of the river[2] against the wall, he weakened it; for it was of unbaked brick, which is more secure against siege-engines than baked brick or stones. For those break and jump out of their fittings, whereas unbaked brick is not affected in the same way. It is, though, destroyed by water, no less than beeswax is by the sun.

"In the royal palace of Gelimer was a building full of darkness, which the Carthaginians used to call [the] Elbow; therein were thrown all toward whom the tyrant was ill-disposed. There, in the time of Belisarius, happened to be confined many traders from the east about to be destroyed by the tyrant at that time, whom the guard of the prison released."[1]
"And he placed the siege-engines in the way that seemed most timely, and he hit both the wall-angles [angkones] and the trenches from both sides."[2]
Also [sc. attested is] a)gkw=nes, a certain part of the house.[3]
Another meaning of a)gkw=nes is everything that, in a dream, fixes the well-ordered aspect of life.[4]
*)agkw=nes [are] also the prominences of rivers, the ones at the banks.
"It was not possible to sail through to the stream ahead because of the size of the descending prominences which it was necessary for those dragging the ships to bend round."[5]
Also [sc. attested is] a)gkw=nes, [in the sense of] the heights of the mountains. "Some of you seek out the [western] heights, and some the eastern, going toward the evil exit of the man."[6]
And [there is] a proverbial expression: wiping one's nose with the elbow.[7]
Bion the philosopher said: "my father was a freed slave, wiping his nose with his elbow;" it indicated clearly the saltfish-importer.[8]
See another proverbial expression, 'sweet bend' [in a river, etc.].[9]